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hi guys i'm allen and this is my side blog for other things

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steveholtvstheuniverse:

There are a LOT of really great scenes in How to Train Your Dragon 2 but this is the one that had the most impact on me and FOR GOOD REASON:

  • It’s such a sweet and genuine song first of all.
  • It’s sung, at first, by this HUGE masculine viking who spent the better part of the first movie being super cold and distant, leaving his emotions at bay. Now he’s allowing himself to open up and express his feelings and that’s totally okay woah!!
  • Along with that his movements around Valka are slow and gentle, allowing her to either reciprocate or walk away. He never grabs her or tries to shove her right back into their relationship. He’s aware of how much time has passed, of her guilt, so homie’s playin it cool.
  • But yeah, ultimately SHE’S the one who agrees to the dance and picks up the pace and it’s SO GOOD to see both figures treating each other with so much love and respect.
  • Even better is that both parties are ADULTS, the mom and dad figures of the film series. Adults get written out or ignored so often in children’s movies, either by being dead throughout the entirety of the series OR by only showing up at key moments. Both Valka and Stoic are essential to the film, as is their relationship and Valka’s reason for leaving.
  • Did I mention how sweet and genuine the song is? Damn near every romance song in a kid’s film is built up to some schmalty love anthem but HTTYD2 takes a quieter, more human approach.

This isn’t even touching on the little details Dreamworks’ adds to their facial expressions and their movements and gosh everything here works so wonderfully please watch How to Train Your Dragon 2

— 3 days ago with 1911 notes
#animation 
okaybrian asked: Hey, I was wondering if you knew if there were any sort of movement calculations stop motion animators use in order to get the movements to look authentic and correctly timed. This is one of my favorite blogs btw :)


Answer:

stopmotioncentral:

Thank you so much!

I’m not sure exactly what you mean by calculations. Do you mean frame rates?

Most of the more fluid stop-motion films use 24 frames (photos) per second, which gives them the most amount of movement and life. This rate is used in films like Coraline and ParaNorman, I believe most of The Nightmare Before Christmas was as well.

Fantastic Mr. Fox uses 12 frames per second, which was more common in classic stop-motion because Wes Anderson (the director) actually wanted a jerkiness to the characters to pay homage to them.

I hope that was what you were asking? If not just ignore me.

— 3 days ago with 19 notes
#animation 

This one’s not weird. He talks to dead people.

(Source: barretweed, via steveholtvstheuniverse)

— 6 days ago with 856 notes
#animation 
beccadrawsstuff:


remember me for  c e n t u r i e s [x]

so hoW ABOUT THAT NEW GRAVITY FALLS?!?!?!!?!!

beccadrawsstuff:

remember me for  c e n t u r i e s [x]

so hoW ABOUT THAT NEW GRAVITY FALLS?!?!?!!?!!

(via tetsuwan)

— 6 days ago with 6958 notes
#inspiration 

typette:

gravi-teamfalls:

danaterrace:

Sock Opera premiered tonight! It’s one of my favorite episodes of the season and I got to do a little animation for it. So here’s my Bipper ruff.

edit- oh sick there’s already a gif of it!

Dana Terrace, the true puppeteer behind Bipper 

well that’s damn cool, I feel like there was a lot of interesting animation going on in this episode

interesting animation and horrifying nightmares

(via wundersides)

— 6 days ago with 4209 notes
#animation  #ugh so in love with gravity falls  #inspiration